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Royal Command Performance : ウィキペディア英語版
Royal Command Performance

''For the annual Royal Variety Performance performed in Britain for the benefit of the Entertainment Artistes' Benevolent Fund, see Royal Variety Performance''
A Royal Command Performance in the United Kingdom is any performance by actors or musicians that occurs at the direction or request of a reigning monarch.
Although English monarchs have long sponsored their own theatrical companies and commissioned theatrical performances, the first Royal Command Performance to bear that name was staged at Windsor Castle in 1848 by order of Queen Victoria. From then on, command performances were frequently staged, often calling upon the leading actors from the London theatres, until the death of Prince Albert in 1861. There were no further command performances until they recommenced in 1881. These included plays, comic operas and other musical theatre. King Edward VII called for several performances per year.
In 1911 a Great 'Gala' performance was given by the theatrical profession at His Majesty's Theatre in London in celebration of the coronation of King George V. Since that time, the proceeds of an annual all-star command performance have been contributed to "King George's Pension Fund for Actors and Actresses" and those events have been called Royal Variety Performances.
==Early history==
As long as there has been a monarchy, kings and queens have maintained minstrels and jesters to entertain their courts, and these performances could be called "command performances".〔Gillan, Don. (A History of the Royal Command Performance ), StageBeauty.net, accessed 16 June 2009〕 The history of the command performance as we recognise it today dates back at least to the time of Queen Elizabeth I, during whose reign the first permanent theatre was built. In addition, Elizabeth built her own theatre where she could watch plays performed by her own company of players. This was formed in 1583 by Edmund Tilney, the then Master of the Revels, and was known as ''Queen Elizabeth's Men''.〔
Later British monarchs continued the tradition of sponsoring their own theatrical companies until the dissolution of the monarchy, with its subsequent abolition of the theatre, during the Protectorship of Oliver Cromwell. The restoration of the monarchy following the death of Cromwell also resulted in the restoration of the relationship between the monarch and theatre.

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